The stage was set for the magnum opus. Somnath Temple had been rebuilt.
Bhoj Tal, the huge lake spread over forty kilometres, a marvel of civil engineering, provided water to the
people of Bhopal and Malwa. On the banks of Betwa, the city of Bhojpur was founded. Two dams were built on
Betwa to channelize water to feed the lake. Hundreds of artisans have sculpted
the group of most magnificent temples on the banks of Bhoj Tal at Ashapuri. The
treatise called Samarangana Sutradhara on classical Indian architecture was complete.
The curtain was raised. The act lasted for several years. Sadly the magnum opus
ended without the climax for reasons we might never know.
From a distance, the temple looks like a massive cube of stone sitting on
a hill dwarfing the town below. You have not seen anything like this before. For
a temple, the shape and dimensions are truly majestic and colossal. You have
never seen a temple so different, so huge, and so bare outside. The sqat
position provides intimidating presence and conveys massive solidity. You walk
up the hill towards the temple on a freshly laid tar path.
The path leads to the stairs that brings you on the top of the seventeen
foot high platform or forecourt. The platform has huge dimensions of 106x78x17 feet. There are a couple of chattris in the middle of the platform. And beyond
the platform is the colossal west facing facade of the Bhojpur or Bhojeshwar
Temple. Looking at the seemingly incomplete temple with no shikhar or
superstructure, it is apparent that the platform’s large dimensions were
designed to incorporate mandap, mahamandap and antaral that were never built.
ASI has installed wooden steps to enter the girbhgriha. The gateway (33
feet high and 16 feet wide) is flanked by huge pillars. The pillars are bare
except kirtimukhs and chains with bells. You have seen similar pillars at Qutb
complex in Delhi. On both sides of the walls are few images including that of
Sursundaris, Yamuna and Ganga. At the base of the pillars on the either side
are beautifully sculpted possible Ishaans or Shiv Dwarpal. They seem to be a
secondary placement.
As you step into the doorway you are blown away by the enormous Shivling
mounted on a three stepped pedestal. The priest on the top of the pedestal has climbed
with the help of a ladder. The pedestal is about 15 feet high. And in the
middle of the pedestal rises the polished Shivling. The ASI sign says that the
Shivling (6.7 feet high and 8 feet diametre) along with Yoni Patta rises to a
height of 22 feet and is the tallest in the world.
You step down into the girbhgriha. Surrounding the Shivling are four
massive pillars. The pillars carry some ornamentation. The inside walls are
bare. It is when you look up that you are amazed. The pillar capitals are
sculpted with images of deities. The brackets holding the ceiling have
bharvahaks. The domed ceiling is generously carved. Eight Gandharvs adorn the
outer rim of the dome along with dense carvings of motifs. Gandharvs are
celestial beings who guard som and also play music in Indra' s durbar.
According to Vishnu Puran they are sons of Brahma. They have incredible healing
powers and are also considered to be divine messengers between humans and Gods.
You circumambulate the Shivling. High above and unseen, the priest washes
the top platform. You try to be careful just in case the pail of water hits you
and the camera. On a cold winter morning, there is a steady stream of devotees
who offer flowers and light incense sticks at the base of the pedestal.
Thousand years later nothing seem to have changed. And what remains unchanged is the amazing
ability of India’s history to leave you wonder struck.
View from Canopies on Platform |
Lush grounds on the south of the temple look inviting. There are a couple
of structures here that could be temple, tomb or stup. The east wall still
has the scaffolding as part of continuing conservation of the temple. And then you
see the ridge meeting the temple at the north-east corner. This in fact is the
extant ramp that was used to haul up the huge blocks of stones to erect the
walls of the temple. The stones pushed up on the ramp would be as big as 35x5x5
feet and weigh as much as 70 tonnes each. This is the only temple in the world
where the ramp used to carry stones is still extant otherwise it would have
been a big mystery figuring out the technology used!
The temple’s imposing external walls are largely bare except with the
relief of balconies high up. There is a possibility that deities were arranged
on these balconies. Makar Mukhi Jalashay or Somsutra pierces the north wall
from where the water used for washing the ling flows out. People believe drinking
this water after pradakshina has curing powers. There are some fragments lying
around. They could have come from this temple or were never used as the temple
was left incomplete.
Looking at some old photos, it is apparent that the temple has gone large
scale conservation. Due to unknown reasons, the dome of the temple had
collapsed breaking the yoni patta into two pieces and since then the temple
remained open to the sky. The stones from upper levels of walls had fallen off.
The platform was in a ruined state. Mr. KK Mohammad of ASI who brought back
Bateshwar Temples in Morena back to life, again led the restoration efforts
here.
After 1000 years, the temple finally has a roof - no not carved out of
red sandstone but a canopy built of fibreglass with inverted lotus motif. ASI
did not want to risk another cave-in and therefore installed a lighter dome.
From inside, looking up at the ceiling you could have never figured that out.
One of the 33 tonne original missing pillar was replaced with a 12 tonne
pillar. The structure looks quite impressive and solid in appearance. Good work
again by ASI!
Rock Etchings with Temple Plans - Photo Courtesy Gency Chaudhuri |
Shivling and Padavali - Photo Courtesy Gency Chaudhuri |
You walk towards north west of the temple where you can see some cordoned
off enclosures over the rock outcrops. Now this is a surprise. You have seen
Ashok Rock Edicts, paintings on rock, but here on the rocks are extensive
etchings of buildings and plans. The etchings include elevation and plans;
pillars, shikhars and kalas; all pointers that there were elaborate plans to
build a large complex of temples. Looking at at drawings of a mandap, it is apparent that the design is entirely new and never seen before. Just beyond is a shivling with footsteps. It
is apparent that engraved on rocks are the elaborate blueprints of a large
complex of temples that was never built for reasons we will probably never find
out.
Raja Bhojdev (1010-1055AD) the greatest ruler of Parmar dynasty ruled
over Malwa in Central India where he led several military campaigns in all directions.
Once he went after Mahmud Ghazni who had come to sack Somnath. Ghazni promptly
retreated to Sindh. As part of North Indian Confederacy, Bhoj fought with Salar
Masud, nephew of Ghazni, in the battle of Bahraich where Salar Masud was
killed. Bhoj also battled the Western Chalukys of Deccan. Here he partnered
with Rajendra Chola I of the powerful Tamil dynasty of Cholas. So while Cholas
pushed the Chalukyas from South, Raja Bhoj attacked from the North. The outcome
is not clear of this war with Chalukyas. King Bhoj died fighting his one time ally Bhimdev Solanki from present Mahim in Mumbai that was then part of Gujarat and Kalachuri King Vishnukarna ruling from present day Jabalpur in MP.
Raja Bhoj in addition to being a strong military general was a great patron of
art, architecture and learning. He was a writer too who authored eleven books
out of which Samarangana Sutradhara is the most famous. The 83 chapter treatise
on civil engineering systematically explains how to construct buildings, forts
and temples. It even has a discourse on building flying machines. To walk his
talk Raja Bhoj along with Bhimdev Solanki rebuilt the Somnath Temple after it
was sacked by Ghazni in 1024. At Ashapuri, few kilometres from
Bhojpur, a complex of twenty six temples was built with the finest architecture.
New temple form of Bhumija style was innovated here. Ashapuri was a laboratory
where artisans arrived from places as far as the Deccan to develop new styles
and forms. It is possible that Bhojpur Temple could have been a new form in the
making.
It was time to lift the curtain on the Magnum Opus - time to build a
temple so majestic that there would be no parallels in the history of temple
building.
Bhojpur the city founded by Raja Bhoj was appropriately chosen as the
stage for the magnum opus. The inspiration for the mammoth temple could have
come from his comrade King Rajendra Chola.
Rajendra Chola’s father Chola Chola had built the towering Thanjavur
Brihadeeswara Temple and Rajendra Chola had built an equally imposing temple
nearby. It is also possible that Bhoj might have taken consultation from the
Chola stapathis. In that case the engineering aspect in addition to Raja Bhoj’s
own temple construction competence would have been foolproof.
Brooding Behemoth |
The site chosen was on a hill, overlooking the Betwa river. The palace
was nearby so Raja Bhoj could himself keep an eye on the progress. The quarry
was again close to the temple site. Remains of unfinished temple members at the
site of quarry can be still seen. The planning was perfect. But what could have
gone wrong?
The biggest unanswered question is why was the last act left unstaged?
Why did the temple remain unfinished even though the Parmar dynasty lasted for
another 250 years and grand temples like Udayeshwara Temple continued to be
built? Was royal patronage discontinued and there was a funds crunch? Did a
natural calamity like an earthquake strike damaging the temple? Was it a case
of faulty engineering that a shikhar
could not be mounted? Or was it plain pillage by adversaries?
There are no clear answers but there could be several ‘what might have
happened' scenarios:
- With the death of Raja Bhoj, his successors might not have taken interest in the temple completion; the royal patronage was stopped and resources diverted to newer projects
- The adversaries like Solankis or Kalchuris might have damaged the temple as it was a common treatment meted out to the vanquished party
- Delhi or Gujarat Sultanate might have pillaged the temple during their Malwa excursions
- Though the probability is low, there might have been an engineering miscalculation that led to collapse of the roof and the damage to yoni patta. The missing pillar that was replaced or installed by ASI is a big mystery.
- Though there are no historical records, but a powerful earthquake might have ripped through the area damaging the roof and the outer walls. Temples at nearby Ashapuri have their plinths devastated; something that is impossible to be attributed to humans.
- Then there is a possibility of combination of wide spread damage by earthquake followed by vandalism.
Even without the last act, Bhojpur Temple is a glorious edifice. The
temple that looms over the town built by Raja Bhoj is stuff of legendary
stories with which the king is remembered for. Come and see the lores and
legends come alive at Bhojpur.
Getting There: Bhojpur Temple in Raisen district of MP is about 30
kms from Bhopal. Ashapuri is 6 kms south of Bhojpur Temple. You can see Bhojpur
Temple, Ashapuri Temples & Museum and Bhimbetka in a single day.
AnExcellent exposition. Congratulations. I also feel comfortable to bank on the Earthquake for the kind of devastation one observes. The project would have been abandoned due to the damage caused to the Yoni Patta as that could have been considered as a bad omen. The magnificent structure at Beejamandal, Vidisha may have a different story to tell due to existence of a mosque over the well elevated platform which is comparable to Bhojpur.आपकी यात्रा मंगलमय हो
ReplyDeleteThanks PN Sir for reading and for your comments! Yes, earthquake seems to be the reason for devastation here and at Ashapuri. Bija Mandal damage may be man inflicted.
DeleteTruly colossal structure, never seen any temple as huge as this.
ReplyDeleteTrue Siddeshwar - it is huge when ancient temples usually are low slung and claustrophobic.
DeleteDo visit and include Ashapuri and Bhimbetka in the itinerary. Next day visit Sanchi and Vidisha and Gyaraspur and the list goes on and on! After all this is MP!
The reason for its in-completion can be found in a book written by Sadhguru Jaggi Vasudev. It's named Mystic's Musings.
ReplyDeleteMystic’s Musings https://www.amazon.in/dp/8184959842/ref=cm_sw_r_cp_apa_i_SmNyzbSTQSGA0
Hi Sumukh,
DeleteThanks for reading and for the tip. I will definitely read the account as soon as I get a chance.
Regards,
Nirdesh
nice blog. you didn't posted more pics of those engraving on rock surface scattered there. it seems they are cordoned off. When i had visited it way back in 1998 all that place was open. that time i wondered as to how & why such thing is left open under sky? no shed over them to protect those plan-sketching on rocks. It seems it was a plan for making temple
ReplyDeleteHi Mishra ji,
DeleteThanks for the appreciation. Yes you are right! I think I missed quite a few line drawings that perhaps are the plan of the temple and carvings on the rock face in the vicinity. Next time whenever I go there, i will look for them and also the remains of a dam in that area. It is a good step by ASI to cordon them off.
Regards