Thursday, 2 July 2015

Anegundi Fort and Origin of the Vijaynagara Empire


Malik Kafur, the feared general of Delhi’s Sultan Alauddin Khilji swept across South India and annexed Warangal in 1309. In 1310, the old capital of Hoysala Ballalas at Dvarasamudra was taken. After an expedition deep down to Madurai, Malik Kafur returned to his master with a booty loaded on 312 elephants, 20000 horses that included ten crore gold coins and a certain diamond known as Kohinoor. Six years later, prince of Devagiri – modern DaulatabadHaripal Deva was killed by Mubarak Shah Khilji of Delhi. In 1323, Kakatiya’s Warangal fell. Entire Northern India and Deccan upto Krishna River was under Muslim rule. The ancient Hindu kingdoms of the south like Pandyas, Cholas and Cheras were probably quaking in their boots. Muhammad bin Tughlaq, eccentric and cruel, ascended the throne of Delhi in 1325. The quaking just got ratcheted up a few notches on the Richter scale. It seemed it was a matter of time before the remaining Hindu kingdoms would be subjugated and laid to waste.

The Blissful Anegundi Fort

In his celebrated book ‘A Forgotten Empire (Vijaynagar)’, Robert Sewell says that after the incessant march of Muslim rule south of Vindhyas and Deccan, suddenly in about 1344 there was complete halt to the wave. The check was caused by three small Hindu states: Warangal and Dvarasamudra that were already defeated; and the third was the tiny Anegundi which ultimately grew into the mighty Vijaynagar empire. The southern kings submitted to this empire.

Dvarasamudra, 300 kms south of Anegundi, is the modern day Halebidu and a tourist magnet for the magnificient Hoysala temples. You missed this connection completely when you visited Halebidu last. Anegundi and Dvarasamudra will always be overshadowed by Hampi and Halebidu in the modern traveling context. Warangal, in Telangana, with its devastated fort and Thousand Pillar Temple is about 600 kms north east to Anegundi.


Remnants of Anegundi Citadel Walls on the left


Surviving Anegundi Citadel Walls on the Rishyamukha Hill
In about 1330, taking advantage of the incredible geographical feature of granite boulders piled high into loose hills, a family of chiefs, probably feudatories of Hoysalas Ballalas, built an immensely fortified citadel nestled in the hills and protected by the mighty Tungabhadra in the south. And so begins the journey of Hampi (Vijaynagar) from this unassuming small village of Anegundi. Firishta believes that the chiefs had existed as a ruling family for seven hundred years prior to 1350 AD.
Sewell further says, that looking from the Hampi side, he would see the Anegundi citadel fortifications running across the hill but never got the chance to cross the river and explore to prove Firishta right.


Anegundi Country side

Let us go back into time to see how this happened. According to Sewell, there are several versions. Tughlaq, after overrunning Gujarat, marched southwards against his rebel nephew Baha-ud-din Gushtasp who had taken refuge with the king or Raya of Kampli. Kampli is a small town about 25 kms from Hampi. Raya sent the nephew to Dvarasamundra and himself shifted to Anegundi where the chances of defending against the Sultan were better. The year was possibly 1334. Raya was killed, the fortress of Anegundi seized and his eleven sons taken prisoners and converted to Islam. The Sultan chased his nephew southwards, skinned him alive and had his flesh cooked with rice. The skin was stuffed with straw to be exhibited throughout the country along with the identical remains of Ghiyas-ud-din Bahadur Bura of Bengal. Tughlaq certainly had his soft side.




Back in Anegundi, the Sultan left Malik Naib as the governor and probably came back to Delhi. He was missing the daily spectacle of trampling of denizens by elephants at his swank Hazar Sutan palace in Jahanpanah Delhi. Anegundi’s local population rose against the usurpers and the kind hearted Tughlaq restored the kingdom back to Hindus by installing Deva Raya as the Raja and his brother Bukka as the Chief Minister. In 1336, Deva Raya or Harihara Deva I founded the city of Vijaynagar on the other side of the river with the help of great religious teacher Madhav. The river along with the boulder hills would provide better protection against the marauders from the north. Bukka succeeded Harihar and ruled for thirty seven years. This version is almost true since we know Vijaynagar was established by the brothers Harihar I and Bukka and the third king was Harihar II, son of Bukka.




Other accounts say that the brothers Bukka and Harihar, were in the service of king of Warangal and escaped to Anegundi when Warangal was attacked in 1323 and were accompanied by the Brahman Madhava or Madhavacharya. Another account says that the brothers were officers of the Muslim governor of Warangal who were part of expedition against the Hoysala Ballalas. The brothers’ battalion was probably defeated and they fled to Anegundi where they met the recluse Madhava and established the empire. Still other accounts say that the brothers were feudatories of Hoysala Ballalas, while some accounts say it was the hermit Madhav himself founded the city of Vijaynagara.

To put things in perspective, Ibn Battuta was visiting India during these years of 1333 to 1342 and was a member of Tughlaq’s court. The first account of the Raya being slain and his sons converted has been corroborated by Battuta who seemed to have met them. This is getting interesting as you have already covered these events in a post on Delhi’s Fourth City of Tughlaqabad; same Tughlaq guy – eccentric, tyrant and smart - now playing in a parallel new arena.

So what happened in the year 1344? Apparently, Krishna Naik, son of Rudra Deva of Warangal, Ballala Deva of Dvarasamudra and Bukka combined to first free Warangal. The Muslim governor Imad-ul-Mulkh retreated to Daulatabad. Soon other kingdoms of the South joined and Muslims were expelled from Deccan. The southern kingdoms reportedly submitted peacefully; perhaps just glad to keep the foreigners out. The tiny principality of Anegundi gave birth to the kingdom of Vijaynagara that soon expanded to become an empire. Abdur Razzak, an envoy from Persia who visited in the early 1440s, reports that Vijaynagara stretched from sea to sea and from Deccan to Cape Comorin heading an army of eleven lacs troops.   

All Muhammad-bin-Tughlaq was left with was Daulatabad. The peace would be short-lived. Soon the Vijaynagar rulers will have to contend with the Deccan Sultanates that formed after revolting against Delhi Sultanate in 1347.



View from halfway up the Anegundi Fort






Enough of history - now let us go see what Sewell missed seeing from the other side of Tungabhadra. You drive west from Anegundi village. On the left rises the hill called Rishyamukha where Sugreev lived. These are the most interesting hills you have ever come across – the hills are simply made of huge piles of boulders loosely balanced atop each other. 



Steps leading to Durga Temple and Anegundi Fort

Hanuman Temple around the first bend in the walls

Second Level of Fortifications leading into Durga Temple

The first line of citadel walls can be seen as you drive around Anegundi area. These are the walls which Sewell looked at wistfully from across the river. A short steep ride brings you to the base of the hill with a parking spot and a kiosk selling drinks and snacks. This is when you discover the simple trusting life of a small town. The kiosk owner has to go run an errand. Your driver Muniswamy is deputed to take care of the store while he is gone – amazing; you doubt you will see something like this in a big city. You take in the sights looking eastwards at the waters of Tungabhadra.

It is time to climb the Rishyamukha Hill. The steps wind around the boulders on both sides. You encounter the first fortifications. Here you turn left into a narrow doorway which probably later has been converted into Hanuman Temple. Up ahead, the path turns right into second line of fortifications. Here again the gateway is guarded by imposing square bastions.


Durga Temple on way to Anegundi Fort




You cross the gateway to enter into the courtyard of the Durga Temple. The temple and other subsidiary buildings are all of recent construction. The best feature is the big tree with colorful strips of clothes tied around its branches holding coconuts as good luck charm.


Boulder strewn path leading to main gate of Anegundi Fort


Anegundi Fort


Anegundi Fort - View from Main Gate

Just beyond, a boulder strewn path takes you to the main entrance of Anegundi Fort. Now this looks like a fort that you are familiar with. Tall imposing bastion like circular turrets guard the low gateway. The turrets are topped with kanguras or crenellations. On the top of gateway, a projecting balcony looks over the approach path. Guards probably kept an eye on the visitors here. You haven’t seen these architectural elements across Hampi. Were these constructed by the later Vijaynagar kings after the Battle of Talikota or were they constructed by the Deccan Sultanates? You are again not sure if the sultanate stayed back here or went back to their infightings and regular skirmishes with the Mughals.


Anegundi Map


Looking back at the Main Gate of Anegundi Fort


Interestingly Placed Boulders


Sliced Boulders and looking towards Main Gate

Beyond the main gate a path takes you straight into the fort. Surprisingly this is a comparatively flat stretch of land. On the right, boulders interestingly placed over each other create a possible watch tower. 


The Pushkarni in Anegundi Fort




On the right is a small pushkarni or a stepwell. Water bodies are a feature of all forts across India. During times of siege, these water tanks sustained the inhabitants of the forts.


Looking towards Vaali Cave where Vaali fought the Asur and locked in by Sugreev

For the first time, you encounter people in the fort. There is a local visitor and the priest. You exchange pleasantries. People are always intrigued with a person from far off Delhi in this neck of woods. Just beyond on the right, boulders create a cave with a temple. The man informs this is the Vaali Cave - Vaali Cave, really? Now this is a surprise. You have missed seeing the Sugreev Cave on your walk from Hampi Bazaar along the Tungabhadra towards Vitthal Temple. It is believed Vaali fought a duel with Mayavi asur in this cave and which was sealed off by Sugreev when he saw blood pouring out. In your excitement, it seems you forgot to take a close-up photo of the cave.


Standing Ganesh image with wife Siddhi





The priest further informs that the cave has a Hanuman Temple which is facing South. Usually Hanuman Temples face North. It could be unusual but not rare. Inside, there is standing Ganesh image with his wife Siddhi on left. The priest believed that standing Ganesh is also rare and usually Siddhi is not seen. Iconography is not really your forte. And in matters of faith, reality is a casualty. You have no way of actually validating if this is Vaali Cave and if the idol dates back to Vijaynagar times.

On the left a ruined gateway can be seen with the arch built of bricks. The Gagan Mahal in Anegundi village was built of bricks. You do not remember seeing brick arches in Hampi though the shikars of temples are built of bricks. Again, you are not sure how old this structure is.






Construction material for Vijaynagara Empire


Closely-spaced series of holes along which the boulders were sliced



And then you see these boulders that have serrated edges. You have seen such sliced rocks across Hampi and Chitradurga. There was no need to gouge out hills. The loose boulders provided easy construction material. To break rocks, the workers drilled small closely-spaced series of holes in the rock. By gently tapping iron pegs wedged into the holes, the workers were able to split the rock precisely where they wanted. Water poured into the holes helped split the rock more easily. Sometimes instead of using iron pegs, the rock was gently wedged apart along the line of holes. So simple and so ingenious.


Ramaraya's Samadhi?

Coming back towards the main gate you turn right to investigate. Within an enclosure you see few mantapas. One has only the pillars standing. The one behind survives with a seemingly later built parapet on top. The third mantap looks like of modern construction. The mantaps were possibly tombs or samadhis. Is it possible that one of these samadhis is of Ramaraya, the son-in-law of Krishna Devaraya? Tiny dolmen like structures have been erected by worshippers for good luck. You were mystified to see such rock arrangements at the Ajaigarh Fort in Panna MP.


The Surprise - Circular Structures




Walking further into the thick shrubbery brings you more surprises. Hidden here are three circular plastered structures built of brick and rubble. While one is in good shape, the other two are ruined. Arched windows can be seen in the structures. You don’t know if there is a window on the other side too. Now what can these structures be? Are these tombs or guard chambers? They do not seem to belong to Vijaynagara architecture. Rubble masonry and plaster was not Vijaynagar’s style. Were they built later by the sultanate victors?




Zone of Bliss in Anegundi Fort

On top of the Ramayana’s Rishyamukha Hill, in Anegundi Fort, built by founders of the Vijaynagar Empire, hidden among trees with no one around, you find yourself in zone of bliss. Butterflies flit and charm, wispy clouds float in the blue sky, branches with flowers sway in the breeze - a moment when you are lost from the world. For company you have these strange looking structures and a crumbled stone mantap. It cannot get better than this. You want to stay here and stay lost to the world.


On Your Way Out

It is time to wrench yourself away and start the walk back into the world. In a few hours you will be in another zone of bliss. Anegundi’s middle name is Bliss.


On the Way Down

You come back to find two foreigners sipping aerated drinks while Muniswamy is still commandeering the store. You need a drink yourself after the climb. After making some small talk, the fellow visitors drive off on their rented mopeds. This is the way to experience Anegundi – stay in the village, hire mopeds and just drive around. The coracles will take you and the moped across the river. The store owner arrives; ledger is balanced and cash handed over. Muniswamy has a surprise waiting for you just beyond. Did you say you could get used to the life here?


One Last Look over Anegundi

Sewell would have been happy to cross the river and walk around the the fort. Maybe a century ago - his book was first published in 1900 - he probably would have discovered evidence that could have dated the citadel back to 7th or 8th century. It was these granite boulders and the citadel that blocked the invasions from the North.

These boulders have seen the goings on for 3000 million years. Anegundi is perhaps the oldest plateau on Earth. But you do wish that Vijaynagara, the City of Victory, had stayed unconquered and proud. Standing on the banks of Tungabhadra, it would have been a marvelous sight to see the Vijaynagara elephants making their way back to Anegundi in the evening. Anegundi literally means a pit or enclosure of elephants.

But then who can challenge fate. What Malik Kafur started with Anegundi, the mother; the Deccan Sultanates ended by killing her child Vijaynagar. No boulders or fortifications or even the mighty Tungabhadra could stop the combined forces of the Deccan Sultanate from slaughtering the child who had grown into the glorious and youthful Vijaynagar. Vijayanagar, the child is gone but the mother Anegundi still lives on. Wracked by grief, Anegundi is stoic and dignified. She would not want Malik Kafur to see her tears. Even with her loss, we want Anegundi to live forever and be blissful always.

Getting There: Anegundi is about 15 kms south east of Gangavathi taluk of Koppal district in Central Karnataka. Or take a boat or coracle ride from Hampi side just beyond Vitthal Temple

References:
1.   A Forgotten Empire (Vijaynagar) by Robert Sewell
4.   Cutting Edge Technology – ASI Sign at Chitradurga Fort explaining the slicing of boulders for use as construction material
Related Anegundi Links on this blog:





Monday, 22 June 2015

Anegundi – Old Hampi

Now it is time to drive into the Anegundi village after experiencing the surprises of Huchhappayya Matt. Here in the village square, a wooden chariot occupies the place of pride. This is the Lord Ranganath’s ride and it gets the preferential parking spot – right in the middle of the road.  You have seen such chariots across Hampi – at Virupaksha Temple, and in a mantapa in Malpannagudi. The chariots are used to take out the deities on special days. Lord’s abode cannot be far from His ride.

The Magical Roads of Anegundi



Ranganathswamy Temple in Anegundi


Colonnades inside Ranganath Temple




The Ranganathswamy Temple is a big open complex facing the chariot to the west. Colonnades line up on the north and south sides.  Inside people catch up on their afternoon siesta. The pillar columns have a subsidiary pillar on the outer side. Such pillars or pilasters can be seen in the famous Vitthal Temple where some of these pillars produce music when thumped. You are not sure if the pillars here too emit music when tapped. The temple has been painted over – a fate that befalls most temples where worship still continues.


Vijaynagar Royal Insignia - Boar, Dagger, Sun and Moon

On one of the pillar you can see the four elements of Vijaynagar Royal Insignia – boar (Varaha), dagger, sun and moon. You are not sure if the insignia was carried from Anegundi to Hampi or these pillars were installed later during the Vijaynagar times.


Looking towards the Garbhgriha


Lathe Turned Pillar Fragments




A second gate leads into the open mahamantap. Garud stambh stands in front of the garbhgriha. Here in the courtyard, you see more of the black stone lathe turned pillars that you saw in the HuchhappayyaMatt just outside the village. These are the remains of possible Chalukya or Hoysalas temples that existed in Anegundi.


Adishesh and Ananthashayana or Reclining Vishnu at Ranganathswamy Temple in Anegundi


Garud

The Ranganathswamy temple was the temple of the royals. It is believed the Vijaynagar emperors came to Anegundi to worship the lord. Inside the locked garbhgriha, you can see Adishesh and Ananthashayana or Reclining Vishnu. Outside, in one of the niches, Garud sits in reverence.   

Krishna Devaraya's Statue at Anegundi's Entrance


The ambience inside the temple reflects that of Anegundi village – languidly quite except the breeze ruffling through the leaves; laid back and so peaceful. A dreamy languor pervades all through - life is unrushed and goes in slo-mo. It seems the village is caught in trance. Just outside, kids play in the village square.  You could get used to this life here.



Looking out of Ranganath Temple into Anegundi Village Square


Lord's Chariot

You walk out of the temple back into the village square. The chariot is stranded on the road. On a previous visit, the chariot was all decked up - probably it was one of the times when the deity was to be taken out on an auspicious day.  

Looking East towards Gagan Mahal

Gagan Mahal in Anegundi



On the east, few yards away to the left is the Gagan Mahal. Freshly whitewashed in yellow and white, Gagan Mahal has the most unique architecture in Anegundi. It reminds you of Lotus Mahal and the adjoining watchtowers in Hampi. The Mahal seems to be built of bricks, with projecting balconies and niches. One set of balconies has interesting looking lattice work. The main gate is pyramidal. On either side of the west facing façade (looking towards Ranganath Temple) are minar like structures that look like the watchtowers in Lotus Mahal enclosure.

It is possible that after the battle of Talikota, the vanquished royal family came back to Anegundi and built this palace as their residence. Today the place is used as a government office.

Malgudi Days: Tungabhadra River at Anegundi

Going ahead towards east brings you to the banks of Tungabhadra. Here you can never be far from the river. At Talvar Ghatta, the river was to the south and here the river has taken a turn to the north. Stone steps are built on the ghat. The citadel walls you have come across the village and at Talvar Ghatta are seen here too as they join the ghat steps. This is summer time and the river is almost dry. Maybe the irrigation department will release water from upstream Tungabhadra Dam soon. Boats are docked as they wait for the water to flow. People hang out on the steps under the shade of trees. On your right, people wash clothes putting them to dry on the rock islands.

Wide Expanse of Tungabhadra with Boulder Hills and the Samadhi

Krishna Devaraya's Samadhi in Anegundi

Just beyond in the middle of Tungabhadra’s riverbed is the biggest mantapa you have seen so far in Hampi area. The structure is called 64 Pillared Mantapa. The only such structure you have ever seen or so named is called Chausath Khamba in Delhi’s Nizamuddin Basti. The mantapa here is the Samadhi of the great Vijanagar Emperor Krishnadevaraya (1509-1529). Krishnadevaraya is regarded as the greatest and most popular ruler of Vijaynagara Empire when the empire flourished. The king was a patron of art and literature and a scholar of 64 vidyas. The 64 pillars probably denote his knowledge. You are in no mood to wade through the water. You use the zoom to take some photos. Looking through your photos again, you seem to have caught his statue near Anegundi’s main gate looking resplendent in bright colours. Tenali Rama, the beloved smart alec whose antics are popular in comics was one of the Ashtadiggajs or the Eight Poets in the court of Krishnadevaraya.


Chausath Khamba in Delhi’s Nizamuddin Basti


Tenali Junction in Guntur District of AP

On your several train journeys from Kavili to Vijaywada, you have passed through the town of Tenali in Guntur district of AP. Tenali Rama is believed to be born in Tumuluru near Tenali.

Anegundi - The Citadel Fortifications

A Mantapa on the Tungabhadra

On the left, the steps merge into the fortification walls extending into the boulder hills in the north. In the river bed, little distance away you can see a couple of mantap like structures. Until the next time when you decide to go aquatic you again take some zoom photos.

Anegundi Roads, don't take me back home

Anegundi Roads

The list for next visit is already building up.  Nava Brindavan is a group of nine samadhis including the samadhi of saint Sri Raghvendra a little distance away in the middle of the river. Then there is the Chintamani Temple to your right where Ram killed Vaali and then offered penance for the killing. The more you delve deeper the more places emerge and that familiar yearning tugs at you deep inside to come back to Hampi and Anegundi.

Any Anegundi frame will have these elements - Lush paddy fields, lonely mantap, interestingly placed boulders and coconut trees

Whichever Way You Look Anegundi is a Perfect Frame



Anegundi Sunsets

On the way to Hospet you see more of the scenes you have grown to love in these visits. You can walk these roads all day. The Anegundi sunsets are mesmerizing. You want to come back soon - that yearning is getting stronger.

Getting There: Anegundi is about 15 kms south east of Gangavathi taluk of Koppal district in Central Karnataka. Or take a boat or coracle ride from Hampi side just beyond Vitthal Temple


Related Anegundi Links:






Thursday, 11 June 2015

Anegundi – The Case of Lathe Turned Pillars at Huchhappayaa Matt

After enjoying the view of Tungabhadra river crossing at Talvar Ghatta, you walk a few yards to Huchhappayya Matt. Huchhappayaa Matt is easily the most ornate of structures here in Anegundi. A matt or matha is similar to a monastery or an ashram. Vijaynagar sculpture is mostly characterized by the relief carvings on the pillars but the matt has more. 
Huchhappayya Matt at Anegundi Karnataka
The structure looks like the many mantapas you have seen here. But it soon gets interesting. The structure with a rectangular plan and plain pillars is two storeyed just like Talvar Ghatta. In the centre, the structure rises upto the first floor with a small mantapa on top. There are several nandis placed on a platform. They do not appear in-situ and were probably brought from different temples.




Looking up, you can see the four beam members forming the hollow on the top ornamented quite richly. It is not the usual Vijaynagar sculpture – the sculpture is fine and detailed. There are dancing figures of women – are they performing Dandiya? There are more male and female dancers while some play instruments. Then there are hunting scenes – you can see a prey hanging by its legs being carried on a pole. Battle scenes have warriors riding horses and foot soldiers carrying shields. You go through your Hampi photos – yes these beams are unusual and special.

The Lathe Turned Pillars




The surprise waits on the rear side. Here on the eastern side a colonnade has been erected, possibly at a later date, with surprise, lathe turned pillars. The pillars seem to be built of soapstone. These pillars look out of place among the standard plain granite Hampi pillars. Such lathe cut pillars are a feature of Chalukya, Hoysala and Kakatiya temples that you have seen in places like Lakkundi, Belur and Warangal, but never in Hampi or Anegundi. Hazaar Rama Temple in Hampi has black granite or soapstone pillars but they are not lathe cut. This is quite a mystery. Was there an earlier Chalukyan temple in the vicinity and these seven pillars harvested from it?
Talvar Ghatta, Collapsed Bridge and Tungabhadra River can be seen

View from road going to Anegundi Village
Before Bukka and Harihar moved south from Anegundi and across Tungabhadra to establish Vijaynagar Empire in Hampi, Anegundi was the regional power centre of earlier dynasties like Hoysalas, Chalukyas and Satavahanas. So it is possible that Anegundi had some earlier temples and these pillars were repurposed and used here. However in your several visits to Hampi, you don’t remember seeing any remnants of Chalukya / Hoysalas temples or soapstone / schist construction. Did Hampi too had some Chalukyan era temples which were brought down? This is highly unlikely. So while the Royal Enclosure of Hampi was totally razed by the combined armies of Deccan Sultanates, the temples like Hazaar Ram, Krishna, Virupaksh, Vitthal, Raghunath barely look blemished. Such Chalukyan temples probably existed north of Tungabhadra only in Anegundi.

Lets do Dandiya
Coming back to the beam with women doing Dandiya or Raas Lila; is it possible that the beam too is from a Chalukyan temple? Chalukyas later moved to Gujarat becoming Solankis - same Solankis who built the incredible vavs across Gujarat. And is this how dandiya dance migrated to Gujarat? Possibilities are endless and exciting.

Though the deity is missing, it could have been a Shiv temple since several nandis are seen and also because Huchhappayya means Shiv. It is also possible that the temple is named after Huchhappayya, a sage who meditated here. The setting and the missing deity gives it more plausibility. Also, since the structure uses recycled temple parts - had it been a temple or gudi, the structure would not have used repurposed pillars.
A guru surrounded by devotees, depicted in a wall painting at Anegondi, January 1801. ‘Painting on the Roof of the Jungum Mutt at Anagoondy.’ Latin verse below picture
Composite animal figures depicted in wall paintings at Anegondi, January 1801
Column in the math at Anegondi. January 1801. ‘Elevation of a Pillar in the Jungum Mutt at Anagoondy - All Sketches Courtesy British Library Online Gallery
Okay, there is another surprise now. While going through the online gallery of British Library you come across sketches made of ceiling paintings at this matt. Paintings on the ceiling! Now you again scour through your photos but you are just not able to discern any colour. The  description of one of the sketch says – “The Uchappaya Matha, a dilapidated two-storeyed structure to the south of the village, is of interest for the fragments of Vijayanagara paintings preserved on the ceiling beams. The major part of the paintings, though, no longer exist. This drawing depicts some of the figures from these paintings. In 'A survey of Painting in the Deccan' of 1937, Stella Kramrisch wrote, "The paintings on the ceiling of the Uchayappa Matha at Anegundi to-day present a black and white effect with some red lines of the preliminary drawing left. The colours have disappeared but for an eight petalled lotus with a yellow centre, surrounded by red, on a blue ground in a niche of the wall. Traces of the same colours are preserved in the spandrils and between the pilasters of the wall. Such a fresh blast of colour must be surmised also in the paintings of the ceiling, constructed of large stone slabs. These are covered with a thin white plaster. The entire ceiling, it seems, of the pillared Matha had been painted...In the Anegundi paintings, which can not be prior to the third quarter of the sixteenth century, the figures to a considerable extent adhere in body and movement to classical coinage. They have powerful limbs and vehement gestures...The faces however are almost always in profile or front view. Their firm outline conveys mediaeval rigour...".” Amazing isn’t it!
So with time the paintings are gone. You don’t remember any other Vijaynagar structure with paintings. This matha is full of surprises.
Amazing Anegundi



The matha has one of the best settings on both sides of the river. The temple enclosure sits in the middle of sylvan surroundings – lush paddy fields, swaying coconut trees and the boulders forming the backdrop. You can spend an entire afternoon here all alone. This is a piece of heaven. Anegundi and Hampi are blessed with far too many pieces of heaven. And this is just the beginning of their discovery.
Getting There: Anegundi is about 15 kms south east of Gangavathi taluk of Koppal district in Central Karnataka. Or take a boat or coracle ride from Hampi side just beyond Vitthal Temple
References:

Related Anegundi Links:

Anegundi – Journey into Kishkindha, the Monkey Kingdom